RUFUS

Legendary band Rufus label "funk band" does not begin to describe the multi-faceted musical legacy of Rufus, the ever-changing interracial group formed in the seventies that launched vocal superstar Chaka Khan. With ten gold and/or platinum albums (seven of which were #1 R&B charters) and eight #1 charting R&B singles (five of which went multi platinum), Rufus' material spanned from the sublime balladry of "Sweet Thing" and "Hollywood" to the hard-thumpin' grooves of "Ain't Nobody" and "Tell Me Something Good." Over a total of thirteen albums (ten with Chaka), Rufus honed a fierce reputation that resulted in them sharing stages with everyone from Santana and the Commodores to Elton John and the Rolling Stones. Their position in pop history is as among the most versatile soul bands to spring forth from the fertile years of the seventies.

Rufus began in Chicago with Kevin Murphy – the founding member a keyboardist from Minneapolis as an evolution of a renegade band of rock-n-soul musicians. The group's name morphed from Smoke to Ask Rufus to just Rufus.

The group's future brightened infinitely when original lead singer Paulette McWilliams departed for a solo career, grooming her replacement in a long-time friend - a diminutive yet fiery young singer named Chaka Khan. Chaka had been hanging out with Rufus for at least a year, so when she auditioned she had their show down cold! What she initially brought to Rufus would become one of the most awe inspiring voices in pop music. Born Yvette Marie Stevens on the Great Lakes Naval Training Center in Illinois.

The band's first album, 1972's self-titled Rufus on ABC Records, didn't bear any hits, but their version of Stevie Wonder's "Maybe Your Baby" led to the song which put Rufus on the map. Wonder was so impressed with their cover that he visited them while they were recording their follow-up, Rags to Rufus (1974), and wrote along with Chaka Khan, the sexy funk boiler "Tell Me Something Good." It became Rufus' first smash hit - a platinum-seller that peaked at #3 on both Billboard®'s R&B and pop charts, and won a Grammy® for Best R&B Vocal Performance by a Group. However, after the recording of Rags to Rufus (and before the album was released), several band members quit. This led to the arrival of another crucial key in Rufus' history.

Los Angeles-born Tony Maiden former member of the band High Voltage and an international touring musician with the great Billy Preston. After seeing the original Rufus performing at the Los Angeles nightclub Maverick's Flat, (where a young Maiden started his career) the group asked him to replace guitarist Al Ciner, based on his reputation as a fiery and seasoned player. Tony Maiden brought an arsenal of inventive guitar licks, a game male vocal that could hold its own paired with the powerful Chaka, writing skills and spiritual leadership to the group. Tony's co-lead vocals are featured on Rufus classics such as "Once You Get Started," "Dance With Me" "Do You Love What You Feel," "Blue Love," "Master Jam," "Ain't That Peculiar," "Change Your Ways" and a cover of Bobby Womack's "Stop on By." Some of the Rufus songs he composed "Once You Get Started," "Dance with Me," "Pack'd My Bags," "I'm a Woman (I'm a Backbone)," "Earth Song," "At Midnight (My Love Will Lift You Up)," "Quandry" and "Magic in Your Eyes." "Your Smile" "Tonight We Love" "Keep It Together.

Tony and Chaka's signature song "Sweet Thing" - an often-covered million-seller that netted writers Tony Maiden and Chaka Khan an ASCAP Award in 1993 for its enduring popularity and airplay.

Songwriters, arrangers and performers all, the members of Rufus co-produced their next album, Rufusized (1974 - ABC) with the late Bob Monaco before taking the reins completely for Rufus Featuring Chaka Khan (1975 - ABC), Ask Rufus (1977 - ABC) and Street Player (1978 - ABC). These albums harness the essence of Rufus' sound via songs that were composed spontaneously in rehearsals. The band recorded Numbers (which went #15 R&B and 49 on the Pop chart) in (1979 - ABC), the first of three albums without Chaka that also includes Party 'Til You're Broke (1981 - MCA) # 19 R&B & Pop #67. "Seal in Red " #57 R&B, and #64 Pop (1983 - Warner Bros.). Rufus reunited with Chaka under producer Quincy Jones for their final platinum seller, Masterjam (1979 - MCA), featuring the disco smash "Do You Love What You Feel." Rufus returned with the Camouflage album (1981 - MCA) and, finally, the double album Stompin' at the Savoy (1983 - Warner Bros.) which featured three sides recorded live at the fabled New York theatre, and one side of four new studio recordings, including mulit- platinum single "Ain't Nobody" Rufus' final #1 which stayed on Billboard's R&B chart for 27 weeks and won a Grammy for Best R&B Performance by a Group.

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SLY STONE

More than four decades after they first stormed the Pop and R&B charts in the winter of 1968 with "Dance To the Music" - a groundbreaking jam that has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame's "500 Songs That Shaped Rock," and Rolling Stone magazine's "500 Greatest Songs Of All Time" - the music of Sly and the Family Stone is more vital than ever.
The band's catalog (every single composition penned by Sylvester Stewart aka Sly Stone) includes their three career-defining RIAA gold Billboard #1 Pop/ #1 R&B smashes, "Everyday People," "Thank You (Falletinme Be Mice Elf Again)" and "Family Affair," and their signature Top 40 hits that began with "Dance To the Music" and went on to include "Stand!," "Hot Fun In the Summertime," "Runnin' Away," "If You Want Me To Stay," "Time For Livin'," and more.

Those songs not only inspired an era of youthful rebellion and independence, but also had a potent effect on the course of modern music in general. A dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors, Sly's music brought the next step - funk - to a disparate populace of hip artists. From Miles Davis and Herbie Hancock, to the halls of Motown and George Clinton's P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, Arrested Development, the Black Eyed Peas, the Roots, OutKast and on and on, Sly's DNA is traceable to every cell of the musical stratosphere.

It is never enough to reiterate that they were the first hitmaking interracial, mixed-gender band. "Sly and the Family Stone's music was immensely liberating," wrote Harry Weinger on the occasion of the group's Rock And Roll Hall Of Fame induction in 1993. "A tight, riotous funk, it was precisely A Whole New Thing. And they were a beautiful sight: rock's first integrated band, black, white, women, men. Hair, skin. Fringe and sweat. Extraordinary vibes for extraordinary times." If 1968 was indeed the year that changed the world, then Sly and the Family Stone provided the soundtrack for that change. They would continue to lay out a sound that is truly eternal.

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